St Francis of Assisi
Assisi is probably the best known town in Umbria thanks to the town’s (and the world’s) most famous saint, St. Francis of Assisi (1181-1226). St. Francis preached a type of Christianity that spoke of humility and compassion for the poor, not a message that wealthy members of the church necessarily wanted to promote. Upsetting orthodox church teachings was a dangerous pastime that could easily result in being burnt at the stake. Luckily for Francis, the power of the huge religious revival that he started was harnessed by the church and he was granted a religious order. The new modern day pope, Francis I, by choosing the name of the saint, has sent a clear signal that he intends to reconnect with the ordinary members of the church.
The Basilica of Saint Francis of Assisi
The Basilica of Saint Francis
In 1228 work started on a huge church in Assisi to commemorate the life of Saint Francis, the Basilica of Saint Francis is in reality two churches, an Upper and Lower Basilica.
The huge size of the church showed how important St. Francis had become, but in all likelihood it was not something he would have approved of. However, one of St Francis’ wishes was complied with; the church built to house his body was built at the end of town where previously criminals had been hanged. The Basilica uses elements of the Gothic and Romanesque architectural styles, for example, the Upper Basilica mixes a Romanesque rose window with Gothic (pointed) arches in the interior.
The Upper Basilica
Badly damaged in September 1997 by an earthquake, the Upper Basilica was restored and re-opened within two years.
The Nave Of The Upper Basilica In Assisi
Giotto’s Life Of Saint Francis
One of the world’s most famous fresco cycles (attributed to Giotto but disputed by many) is painted on the walls of the nave, it depicts scenes from the life of Saint Francis. Painted around 1300, these paintings are important to art historians because they show a break from traditional style of medieval painting, the faces have emotion, the figures are solid and show movement and the scenes have some perspective. The Renaissance didn’t suddenly appear in the 1420’s, art was developing long before.
Sermon to the birds, Legend of St Francis
Frescoed on the transept of the Upper Basilica are biblical scenes by Giotto’s teacher, Cimabue. The white pigment, based on lead oxide has turned black giving the frescoes a strange negative image effect.
Cimabue’s Crucifixion In The Upper Basilica, Assisi
The Lower Basilica
The Lower Basilica is darker and lower ceilinged than the Upper Basilica, it has works of art by Cimabue, Giotto, Pietro Lorenzetti and Simone Martini.
The Altar & Left Hand Transept Of The Lower Basiilca, Assisi
Cimabue
On the right hand wall of the transept next to the nave is a painting of St. Francis by Cimabue that is often cited as the portrait most likely to resemble the Saint. This is because it was painted five decades after his death and used the description of someone who knew him. Saint Francis is standing on the right
Portrait Of St Francis By Cimabue, Assisi
Giotto
Giotto or his followers are responsible for the chapels of Mary Madelene and Saint Nicholas, these can be found off the nave. In the transept, look for the story of the young Jesus, They show the characters within realistic looking landscapes rather than having them placed in the foreground with the scenery behind
Simone Martini, Chapel of St. Martin
The decoration of the Chapel of Saint Martin was designed and implemented by the Sienese artist Simone Martini, his work includes the floor, the stained glass windows and the frescoes. The paintings are quite hard to view thanks to the bright down lights but are well worth persevering with. If you go in through the entrance to the Lower Basilica the chapel is on the left hand side of the nave.
Musicians by Simone Martini, Assisi, Italy
Pietro Lorenzetti
Pietro Lorenzetti, a Sienese artist and contemporary of Giotto, was a master of composition, look at the Deposition and you can see how the figures and the body of Christ form a triangle.
Medieval musicians frescoed on the walls of the San martino chapel, Assisi
As with Giotto’s painting, Pietro Lorenzetti showed emotion on the faces of his subjects and he was beginning to master perspective seventy years before the start of the Renaissance. Pietro’s brother, Ambrogio, painted the Allegories Of Good And Bad Government in Siena.
